“But, I often find myself getting quite emotional because I do want them to be the best. It would be a stretch to call her the bad cop to Dom’s good cop, but she brings the necessary discipline and trepidation needed for TV, which also translates into real world professionalism required to work in the industry. “For me, it’s very important that I give everyone the same sort of attention because it would be unfair to have favourites,” she says, diplomatically. She deftly dodges a question about which makeup artists (MUAs) she likes most. But Judge Val serves as the competition enforcer, making sure there is an element of pressure to keep contestants on their toes. The format is designed to focus on the contestants and their work with very little bitchiness between them. Part of Glow Up’s charm is the wholesome, inclusive content. Photograph: David Ellis/BBC/Wall to Wall/Sophie Wade Glow Up host Maya Jama (centre) with judges Dominic Skinner (left) and Val Garland (right). It was like a confirmation to me that I don’t need to change the way I am to do certain shows.” “Whereas, with the MUAs I was just like their mate and how I would be in normal life and they appreciated that so much. “Sometimes in this industry, world, media, you can kind of get lost in it and think that you’ve got to be a certain way like you have to be this way and you have to be proper,” she says, putting on a faux posh voice. Jama’s trademark cheekiness translates well on screen for the third series, fully glammed up and throwing encouraging words to nervous contestants such as young Riley, who has never done makeup on a model apart from herself before – “Poppin’ the cherry today!” – but she says that working with the young makeup artists (MUAs) also helped her reflect on her own image. Maybe it would have been different if it wasn’t a pandemic because everyone goes home and lives their lives separately, but because it was our whole life for that month and a half, you put your all into it.” “I don’t know how involved you’re supposed to get in these jobs with people,” she says, fresh-faced and glowing in her sports bra, as she tries to fit in some home workouts between interviews. Veteran makeup artists and judges Val Garland and Dominic Skinner remain on the show, with 26-year-old presenter Maya Jama replacing Stacey Dooley – a more natural choice of bubbly presenter and supportive sister to the young contestants. Glow Up caters more to BBC Three’s younger demographic and, as it rolls into its third season, it is clear to see why. It’s hard to tear your eyes away from the trembling fingers fiddling with prosthetics, especially on well-known film and TV sets with contestants competing under the watchful gaze of award-winning guest judges from the industry. The best challenges on the series involve totally transforming faces, with truly impressive results. However, this week, Glow Up also returns to BBC Three, taking on one thing most of us have done significantly less of over the past year: makeup.Īdmittedly, a competition like Glow Up might not be for everyone, but anyone with an Instagram account (or who has a child with an Instagram account) will know that the world of makeup is about more than just contouring and fake eyelashes. Stuart Heritage wrote last week that the Great British formula may have reached saturation point as The Great Pottery Throw Down, The Great British Sewing Bee and all the rest are joined by All That Glitters, taking the format down the jewellery line. So it seems only natural that the telly world reflected that, serving up our distractions in competition form. When lockdown shut the nation indoors, many experimented with sourdough, sculpting and sewing – anything to occupy our hearts, minds and hands to distract us from impending doom.
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